Planning early on and maintaining an organized scene not only keeps an asset moving smoothly through the pipeline but relieves any technical burden to the artist, freeing them to focus on what is important; the art.
Jesse begins by analyzing various materials and explains how he approaches these scenarios, moving quickly into a locomotive asset. The tutorial continues with the UV-ing process, organizing the scene and preparing early on for any changes that may and will occur down the line. This tutorial is a must for any texture artist who wants to understand how a texture pipeline can benefit both production but also creativity.
A native New Yorker and a graduate from The School of Visual Arts, he has worked at some of the most premier commercial houses such as The Mill, Framestore, and Method Studios as a lighter, texture artist, and look-development artist. Recognized by Foundry, Jesse has also had the opportunity to showcase his work at the NAB trade show. Start Free Log in. By Category. By Instructor. Jerad S. Chapter List. Description This tutorial runs through an asset from initial planning to final workflow between texturing and look development using Maya, Mari and V-Ray.
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