But to really justify the claim, I must answer the ultimate question: at the end of the day, did Andrew have a subjective consciousness that no machine can ever have? The answer to this is plain and simple — yes by the power of love. Love as we have so glorified it is such a profound and subjective feeling that the one who is experiencing it must definitely be a human. And Andrew, as we all know, fell in love with Portia. Now that I have established that Andrew has a self, why do I consider him as a man even if his body still functions mechanically?
Basically, this is because a man is both a machine and a self. Our brain for example utilizes the input-output process. We get a stimulus in our environment and our brain processes it to make us respond to such stimulus.
By the end of the movie, Andrew was able to achieve body parts that resemble that of a human being but technically, these body parts no matter how they look are still mechanical in nature. And although it took Andrew two centuries to become a man, or to achieve a self compared to that of a normal human being who can achieve a self half this time and even less, at the end of the day, Andrew, as also been declared by the Congress President, is a man.
Remember: This is just a sample from a fellow student. Starting from 3 hours delivery. Sorry, copying is not allowed on our website. We will occasionally send you account related emails. This essay is not unique. Sorry, we could not paraphrase this essay. Our professional writers can rewrite it and get you a unique paper.
Want us to write one just for you? We use cookies to personalyze your web-site experience. A philosophical text is one in which when the main character has faced many setbacks throughout the novel. Andrew has faced many setbacks throughout this entire novel with the one thing on his mind, being declared a human. He feels he should have equal opportunity with humans because he can do everything they can do which was shown throughout the novel.
This can relate to Asimov again because Asimov could have been at a point in his life where he was facing many setbacks and had to keep moving forward.
I believe Asimov wrote this entire based on himself and how he had felt during this time of his life. The main feeling Asimov had felt which drove him to write this book was the fact he did not feel human. Everything had added up in his life to make himself think, what truly does make one considered human?
This is all shown through the android Andrew while he is searching for what could have him declared human and throughout the whole novel, he does so, facing many setbacks each time around. Maybe Asimov also does not feel human but does not know how to express it or show what makes one considered or declared a human. Even if Andrew meets the requirements they have to declare one human, he still is left an outsider.
He is an outsider in his own community and will not be allowed into a community best fit for him. This is another example of how Asimov could be relating this back to himself, feeling left out, just like an outsider with nowhere to go.
The destination he wants to go will not accept him and he feels lost, not knowing where to go or what to do. I believe that is how Asimov felt and that is why he is writing this book to help him in his stuck time of not feeling human and living it through Andrew. Asimov is also trying to point out fears of people by not allowing Andrew to become declared a human. Many people fear robots are going to take over Earth and human life.
There have been many movies, shows, and songs written about such a thing. Humans want to be known as superior and the best; once something tries to come into the way of that, they will do anything in their power to try and fight it. This leads back to Andrew wanting to become declared a human. He wants to become declared a human because he has worked hard for everything he had accomplished and has every characteristic the same as the humans in the book, the only difference is he was built in a factory.
Asimov is showing that the people fear if Andrew were to become declared a human, other robots who may contain a defect in the future, may want the same. If all robots came to the conclusion of wanting to be declared human, they contain more advanced abilities and technology than humans. They will then become superior over humans and humans do not want to lose their control over everything; they will have to become the slaves to the robots.
From the beginning of the book, Asimov is trying to get the readers emotionally attached to Andrew. A soul can show who someone or something truly is. A soul gives an insight into that person or robot. Ever since the beginning of the book, Asimov shows Andrew with having good intentions. He does everything that is asked of him and even gets abused by children of the Martin family but still continues to have good intentions throughout the entire book, no matter what comes his way.
Asimov also wrote this book around Christmas time; Andrew was a Christmas present to the Martin children. Christmas is known for the birth of Jesus Christ. Asimov wrote this book around Christmas time because it is shown as the birth of Andrew. The birth of Andrew is significant because it then shows how he helped many people in his life and how he grew significantly. What many could argue about Andrew was that he was built in a lab and somehow there was an error to which caused him to start acting more like a human.
He got a job and became very successful just like humans do. This still questions on what truly makes us human. A quote shared by Rupert Burns helps describe a characteristic as to what considers someone a human. See my nose, how it is all bulbous and pockmarked, well, I am the only one with my nose. Andrew is built out of parts that every other robot is built with.
Andrew should have been known as human. As in that gay classic, no one speaks throughout this dreamlike ballet, yet everyone seems to know exactly what to do, when to turn, where to lick. For all its explicitness, the sequence feels closer to magical realism than pornography. Its relentlessness, as there seems to be no end in sight for so much enjoyment, points to a yearning for something far beyond the most readily available orifice.
There is only flesh, fantasy, and the delightful disregard for whatever comes after. Theo and Hugo are two young gay men who meet one night during a gay orgy at an underground sex club in Paris, France. After building a special connection, they meet outside the club where they realize they had unprotected sex. The circularity inherent to cruising is derailed when romantic sparks are kindled in the middle of the orgy. If the banality of hedonism that the sex club represents belongs to a parallel gay cosmopolitan world where carnal needs shall always be copiously gratified, that world also abides by another type of temporality.
But Paris is a post-AIDS fairy tale and what matters here is that, as it turns out, barebacking leads to the exchange of much more than just fluids and viruses. Very few films accept the contradicting velocities of gay desire, and present them in such blunt yet graceful fashion, the way Paris does.
Ducastel and Martineau understand the propensity for the sheer revolutions that secluded sex rooms seem to foster one can fall in and out of love a million times in just a few hours , as well as the brevity of gay bliss—so easily dismantled by a world that conspires against its longevity through disease, invisibility, and the over-abundance of muscled bodies happy to perform. Besides being a film about desire and the potential solidarity to arise from erotic scenarios, Paris is also about Paris.
The city is perfectly set up for the most electrifying orgies to take place but also for dealing with whatever consequences come out of them in the most rational manner. Here, two gay men head to the hospital for post-exposure prophylaxis following an orgy with the same straight face one presents when going in for, say, a broken arm. The strippers all have catchy names: Young Rider, Smoove, Mr. Capable, Satan, and the brother duo of Raw Dog and Tyga. While they freely talk about the pleasures of attending the very raunchy shows, Michelle is more reserved.
Showing off her Mr. Capable calendar, which sees the thickly muscled man in various states of undress, she emphasizes that she admires him because he actually is a firefighter. Some of them have formed a collective, Classy Nasty Ladies, whose name sums up the homegrown sex positivity of these working-class devotees of the strip club. The shows, several of which we see at length in the documentary, reach a level of intimacy that strip clubs aimed at straight men disallow.
The men begin by dancing and gyrating to music, but by the end of the show have often pulled women onto the floor with them, incorporating them into a hands-on performance that blurs the boundary between sex and its simulation.
The form of dancing here is much more participatory than one would expect from a mere striptease, with only the thin sheaths the men wear over their genitalia, and the dollar bills the women toss at the men, the only tokens of separation between dancer and spectator. While the humanization of people we otherwise see in the orgiastic atmosphere of the club is more than welcome, the film makes a scattershot impression.
But following its subjects outside of the club does lead the film to some interesting places. In shots taken on the streets of Baltimore, the camera catches murals dedicated to Freddie Gray and other victims of police violence. Tags: Posted in: Movies p Bluray. Genres: Crime Horror Thriller. Torrent Download The. Genres: Action Adventure Comedy. Tags: The Legend of Zorro. Genres: Action Adventure. Torrent Download Falling. Tags: Falling Down. Genres: Crime Drama Thriller. Torrent Download Acacia.
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